Unmarked6698
- Flag inappropriate
- Show review history
"You know what I mean," says Mona, reproachfully. "You needn't pretend you don't. And it is quite true that England does despise us." The door of the room she is approaching is wide open, and inside, as Mona draws nearer, it becomes apparent that some one is talking very loudly, and with much emphasis, and as though determined not to be silenced. Argument is plainly the order of the hour. "Very well; you sha'n't be put there," he says. "But nevertheless you must be prepared for the fact that you will undoubtedly be stared at by the common herd, whether you are in the National Gallery or out of it.".
453 people found this
review helpful
kez_ h (Kez_h)
- Flag inappropriate
- Show review history
The two young people looked steadfastly at the brilliantly-colored figure of the negress, standing in a statuesque attitude near the great iron gate. On either side of her waved the summer foliage of the trees; overhead the sun, like a burning eye, looked down from a cloudless sky, and beyond, the dusty white road showed distinctly through the slender bars of the gate. All was bright and cheerful and English, but in that sinister red figure, with its black face and hands, there was a suggestion of evil which seemed to dominate and poison the whole beautiful scene. Maurice felt Isabella shudder with nervous dread as she pressed closely to his side.I tried logging in using my phone number and I
was supposed to get a verification code text,but didn't
get it. I clicked resend a couple time, tried the "call
me instead" option twice but didn't get a call
either. the trouble shooting had no info on if the call
me instead fails.There was
"Not yet. Dido," he said, in a cold voice. "It is true that I called to see your mistress; but I wish to speak to you also."
658 people found this
review helpful
Conrad
"You speak like a lover," says Lady Rodney, with an artificial laugh. "Do you repeat all this to Dorothy? She must find it very interesting." "What, indeed?" says Geoffrey, tragically. "Worse still, what would have become of poor Mona?" She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous. A brittle glass that's broken presently,.
298 people found this
review helpful